for his inaugural outing on under the shade, james johnston delivers a deep and heavy house workout with three original belters that all seem to evolve and grow from a slow sauntering groovers into mammoth club rumblers. slow in tempo but huge in delivery all teeter around the lower pace of the house spectrum but as james layers them up all become so crammed with content they bust out at the seems and drive home in splendid fashion. also included is a killer andy ash remix of >there is always time to change< that boosts the tempo and utilizes the underlying disco sample to devastating effect.

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

cool new ratio? with a surprise doc martin remix...!
about one year ago melon met two old friends from amsterdam lying on the streets of berlin who gave him an old fashion tape. out of respect of his (now homeless junkies) friends he borrowed an old tape deck and gave it a listen. he really liked the track but unfortunately he never found his friends again when he went out looking for them. after playing it for months and getting massive feedback the decision has been made to put it out and complimented with two fantastic remixes by california house legend doc martin & newcomer tom ruijg from amsterdam, its now available for everybody. p.s. guys i owe you a fix!

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

mark es >call me< finally gets released via merc this september. ever since its appearance on the mark e beats in space mix nearly a year ago it has remained a must have track and appeared in faiths top 10 tracks of 2010 without seeing the light of day. staying true to an original >house< aesthetic, call me merges a relentless bass line with soaring strings and an organ build de lacey would be proud of, combined with a spoken female vocal this is destined to be a future classic. dixon and tensnake appear for remix duties, dixon turns out a sublime re-work, tightening the feel in true innervisions fashion, whilst tensnake creates a genre defining remix that turns the track on its head and introduces 2 step garage attitude. mark e + dixon + tensnake = huge 12inch !

support by: hans nieswandt, baaz, alex agore, marquese, skipson, ynk, big in d_bug...
with his bellefonic ep, drei farben house from berlin creates a remarkable house-disco-hybrid.soul vocals, funky drums, warm basses – it is all there. wide range of accoustic sounds meets specifically selected electronic elements. with his rather classic idea of musicality drei farben house bridges rich soulfulness and slim, reduced funk. beauty and elegance, understatement and indulgence, meoldiousness and pop appeal – thats what this concept is about.tenderpark remains a prime address for softly gleaming pearls which light up in small side streets. about tenderpark: tenderpark is a vinyl label from berlin in quest of warmth and elegance in contemporary house music. lightness and pproachability are the main focus. tenderpark sounds the commonalities and connections between music and fashion. after the first series of record artworks had incorporated a fashion photo, tenderpark has staged a fashion shot for the new records again. this time the label has drawn on the sophisticated clothes of berlin menswear label a.d.deertz to play the main role in the new artwork.

if you are going to run an remix series of any worth, then you better be coming with the goods....skudge have done it again, with this beast of a 12 inch. berlin dub king, substance (chain reaction), fires off a huge side. overturning >overture< brilliantly. october & appleblim do it bristol fashion with a gritty twist up of the album track >real time< ! tip

panther veil is the debut release on dublin based apartment records. over the 3 tracks london producer ncw explores various avenues of house music in a stripped back, unique fashion. opening with the slowburning, detroit-tinged swing of veil, the flip serves up the bent out of shape jack of my braindead acid, while panthers relentless late night groove rounds things off in a blurry haze

rob sparxs original mix kicks off with a funky 2-step riddim, layered with soulful guitar licks, penetrating synths and some extra deep bass to get you moving. the tune progresses into a super-funky, filtered disco beat leading into a high-energy buildup that will have any crowd going nuts. the drop combines beautiful haunting vocals, brain-rattling bass and sexy synth stabs in a >purple< fashion that has already made an impact on dancefloors worldwide. not to be taken lightly, this ones a heavy-hitter and still maintains its class!

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

in denmark, there rages a lively and experimental techno scene - and its not only a recent phenomenon. the best proof are phono and kemi, two danish imports to the berlin record label, highgrade records. the two chaps complement each other in a musically virtuoso fashion: phono, jacob thiessen, spent his childhood playing around with sequencers and drum machines: over the years he has stuck to this passion and as such, has developed a reputation as an experienced house and techno producer. kim kemi, by contrast, has been a dj since the beginning, and since the 90s has been one of the key figures in the copenhagen club scene. together they have not only performed regularly at the biggest events in denmarks capital, but have also ensured through their many releases, ever changing accents and atmospheres on the turntables. this wealth of combined musical experience can be heard instantly on their latest outing for highgrade – >decompose<. the three tracks, >decompose<, >exterminators< & >last night< assemble rhythms that come from punk, elegant voices and dizzying loops a multi-layered sound excursion. the result is a perfectly produced ep, but one that has not been ironed smooth. with the >made in denmark< seal of quality, phono and kemi bring some extra depth to the party attitude

savor musics second 12 inch release follows a rockin record by papol and ekkohaus. we are proud to present today some raw future classics that will quite simply tear the floor into pieces. lucas mari is a hard to catch butterfly that spreads his subtle wings on few carefully selected projects. a resident of the city of rosario in argentina, lucas mari appeared occasionally on the very fine argentine label greener, german imprint stock 5 and on us labels adjunct and airdrop. in true early 90s chicago fashion, the two original cuts feature some serious drum machine action, building a sturdy way to allow for some exquisite chord relief to flourish. gez varley, absolutely stunned by listening to the originals, decided to contribute to the release with a simple and hypnotic remix that only he, the one and only g-man has the recipe for.

more suited a rejected double-header you will struggle to find, as deetron delivers in outstanding peak time fashion.

two cover versions taken from the essential album gitano real. >i believe in miracles< is an overwhelming take on the jackson sisters classic in a rumba funk fashion. party stomper! and on the other side, a longer trip departing from mcfadden and whiteheads seminal >aint non stoping us now< and touching the revered latin disco version of charanga 76, only to end up as a fabulous clap-driven rumba stormer. two very necessary sun-soaked tunes for any self-respecting dj on neat transparent yellow vinyl. and yes, its a limited edition!

grime has been clawing its way back to the centre of underground uk music in a big way recently, riding a new wave of credibility in futurist iterations from terror danjah, hyperdub, and butterz. but with the rising profile of figures like slackk and the eski-aping sound of becoming real and sometimes jam city, theres been a pseudo-lionization and a growing mythology surrounding classic grime. honestly, its been a long time coming, the music is legendary for a reason. terror danjahs new(ish) hardrive label takes a bold step in 2011 with a sharp look back-ward, and in typically cyclical fashion it feels perfectly now. dating all the way back to 2004, p jams >anger management< is a minimal monster of a tune, slamming with the same slurred and blurred percussive elements of wileys essential >ice rink<.

the latest bomb from the trunkfunk records arsenal, march of no coincidence, comes courtesy of swedish artist collective uniforms for the dedicated. their multi-faceted multi-media output is a playground of fashion design, film, art and music, with the aim of fostering interplay through shared collections. >march of no coincidence< is no exception, providing the inspiration for their brand new single, their latest fashion collection, and the cutting-edge video that unites the two. jonas rathsman of stuffa and nils krogh of genius of time are at the production controls of >march of no coincidence<, in collaboration with maria nordström, former lead singer of the zeigeist…

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

with the huge anthem >run to you< featuring the male vocal talents of s.o.u.l, the quirky and unique electro influenced >fashion< and the euphoric love fest >skream<, this ep has been on heavy rotation in the clubs and has proved to be a firm favourite on both the dancefloor and radio 1!

supported by hanne & lore, dirty doering, haito and paco osuna ! after the success of their first release no fashion, which was mixed by marco carola on the cocoon ibiza compilation 2010 miyagi & ronald christoph are back with the „betty rose ep“ on rennbahn records. the ep also contains an andy kohlmann remix. feel free to check ik out, its pretty nice!

crazy p return to 2020vision with their first new material since the stop space return album. the mts series is a chance for jim & chris to get back to basics and produce some club tracks for their in demand dj sets, before they reconvene with the rest of the band for their next album. already making waves with both of their soloexcursions (ron basejam and hot toddy), they team up here for two perfect examples of their trademark disco and house vibes. crazy p are quite rightly held in great esteem from some of the hippest names around, wolf & lamb, jamie jones and tensnake to name three. they have been ploughing their own deep disco furrow for many years waiting for fashion to catch them up, and now can take the plaudits for being figureheads of this uk scene. my love is a superb raw house cut, thats custom built for sweaty basement sessions, influenced by classic us house. make me wanna takes a moreunk riffs and diva vocals. both of superb examples of the amazing crazy p sound and have had unanimous glowing feedback from the few people lucky enough to have heard them so far

the 12th release on uzuri sees contributions from turin, chicago , amsterdam & dublin. the opener sees morphine & kinda souls ksoul teaming up with new production partner muteoscillattor. >take 1< kicks things off in fine fashion, proper rough, raw and intense jacking house that is completed by the heavy heavy bassline. brilliant!
chicago skyway returns to uzuri with >resolution m<. nodding to the likes of larry heard, armando and virgo, the chitown resident puts his analog machines to work & delivers an elegant & funky number.
the bside kicks off with juju & jordashs >killing raul with acid<, an epic, tension laden full on acidic outing from the amsterdam duo, fresh from their ace tattoos island ep on philpot.
the ep is finished off with a track from dublins slowburn. they debut with >meteor<, a deep as you like slow burner. lovely kicks, languid keys. a promising start from ireland!

supported by: cassy, damian lazarus, loco dice, seth troxler, ryan crosson, damian schwartz, james ruskin, shinedoe, raresh, tania vulcano, dj sneak, marcel dettmann, tobi neumann, rhadoo, dj bone,.. buy it....play it.... dance it. edec 001 from label boss andrew grant in techno faced fashion. we say let the music speak for itself.

moguai returns after the huge success of his album >we ar lyve< with a reworking of his track >oyster< complete with a michael woods remix. moguais new tougher >lyve at brixton< version of oyster has taken it into new territory, with peak time smash written all over it, he works and builds up his signature synths superbly into a release of pure driving tech for your listening pleasure. you know when michael woods is on remix duty you are guaranteed an absolute banger and keeping to that trend, in true michael woods fashion he takes the original and transforms it into another main room hit. i hope you all enjoy another amazing release from mau5trap..

fagget gairys hail from denmark, a female dj/production duo whose unique take on urban and electronic music comes from their work as artists, their experiences as fashion models and their inspired lives in india training as body coaches.
dj hell first came across >feed the horse< whilst preparing his musical mix for michalsky 2010 spring summer show. needless to say it was love at first sight, immediately making arrangements to remix and license the song to international dj gigolo records.

horizontal is proud to offer a robustly breezy release from accomplished french producer, anthony collins. continuing the rich vein of form that has earned him notable success on labels such as mule and freak n chic, collins once again proves his mettle in typically discerning fashion.

this movement must be the moment from marcello napoletano is a preview to the cd-album the space voodoo, which contains completely different tracks than the vinyl release math033. here are 4 tracks in true amazing marcello fashion - deep, unpredictable, and bangin! tip!

after the big material release >spread the word< the guys from holland return with a huge strike! for material music lovers!

usually i disagree with almost anything fashion designers have to say, but when i was compiling this ep i remembered this quote by the iconic german designer and finally exactly understood what he means. i realized why i react so strongly to den haans music. like proper italo disco its so wrong it must be right. the two glaswegian producers do everything right when it comes to pushing buttons on the dancefloor. to follow their releases on dissident, optimo music and their own imprint courier of death, they have put together this ep that sums up their impeccable feel for hi-nrg / italo fueled dancefloor madness.

20th release with music from old and new friends. bjak (eargasmic records) and julio bishop (realdeep recordings) are opening the fire with their >fashion (bc deeper luv mix)<, a late night percussive track to wake up the floor if it gets sleepy. the a2 is for ernie (minuendo recordings) and its called the alcoholics where mixes indian prayers and spiritual chords ... but make no mistakes, its just the effect of the alcohol. in the b side kez ym continues his race to be one of the best producers coming from japan lately. his track pebbles is cool a follow up to his previous releases on yore records. ordell (minuendo recordings) goes black and soulful on the blackholics.

a tribute and modern approach to the good old days of techno. no fashionable sounds just good old fashion straight up techno.

italy has been evolving into the fiercest hot spot for brand new club-acts over the last 2 years. crookers, dusty kid, congorock, all these musicians have influenced the international electronic scene massively and have put this european country on the place to bemap. well, here comes another bad ass act from the home of spaghetti eaters and ferrari racers, the cyberpunkers are about to be unleashed on all innocent bystanders and behold, these guys mean business. just listen to there up-coming track i needed to goon germanys prime indie-elektro labe freakz me out records, this dance-floor killer is not just the next level in peek time insanity but also another big step forward in the constantly progressing indie- club scene. these two italian djs are cleverly juxtaposing music, fashion, design and photography with another, giving their rapidly growing fan base a complete package to enjoy. remixes by the extremely successful boysnoize records master in demand d.i.m. and the fast moving tom deluxx. with these top-notch producers under their 12inch belt, the cyberpunkers are bound to make an huge impact on all non-believers. bon appetit!

cave paintings is a new imprint dedicated to rough as you like machine music that lives somewhere in techno, house and ebm territory. all the tracks are done live in one take on old analogue boxes for a loose, organic and spontaneous feel that its impossible to capture when using computers. for the same kind of reason these are only available on 12. the mastering and the vinyl itself are an integral part of the sound. on this first release side x is a ten minute straight-up bass-heavy skeletal club groove with hints of a latin vibe about it and side y is more grinding and pounding in a nitzer ebb on quaaludes fashion, relentlessly developing for a full fourteen minutes

the second ep by erdbeerschnitzel on 3rd strike records comes with 4 nice original tracks in a variety of styles.

the first teaser from the long awaited second album of phil mison (aka cantoma) comes in a true idjut boy haze. reminiscent of early u star at its best, their remix of >north shore< is one of the most locked-in grooves we have heard for some time. the vocal version sucks you into an almost trance like fashion and is purely made for the late night hours on a sweaty dancefloor. hearing this on a big system is truly a spiritual experience. the instrumental ties down an amazing second 12 inch for leng and gives us further excitement on the release of the second cantoma album. simply terrific.

remember your first time at a rave? of course you don’t. and if you do, you either did it wrong or you’re a liar. with the latest installment of the 7777 onslaught, jared wilson aims to remind you of a time you dont remember. this ep is a souvenir back in time. beyond the zero and beyond the one and back into the analog bringing back memories you never had and experiences you never felt. paris massacre is reminiscent of a time when function mattered more than form and fashion, when sound systems and no lighting took precedence over state of the art fashion shows and laptop djs. its not nostalgic by any stretch of the word, though. how can one be nostalgic for a time they cant recall? the flip of the record is the wonderful >scmocid<, a wonderful reexamination of what it means to work a 303 to near death.

night slugs are extremely proud to announce a new addition to their roster in the form of the one and only lil silva! the young mastermind behind potent uk funky anthems such as seasons, funky flex, different and the funky pulse, lil silvas house-meets-grime style has become iconic of the ukf scene. his tracks are cornerstones for djs like marcus nasty, who describes them as having the unique ability to consistently bun down raves. with that in mind lil silvas addition to the night slugs family makes perfect sense. his contribution to their limited vinyl-only white label series is a taster of what can be expected from his official ep for ns, dropping later this year. in the mean time feast yourself on the ultra-upfront a million, featuring carnival synths, glass breaks and snare destruction in the typical silva fashion. on the flip, silva pays tribute to house pioneer kenny dope in the form of the ultra-stripped down bassline-driven banger no hooks. bruckout time!

this scottish producer puts trapez ltd again on the techno map. after a couple of more housy releases on trapez ltd this release is a tougher one.&#8232,,circular star works techno a bit in a post detroit fashion... the sounds smells of industrial sites, burned rubber and has that certain sexy machine rhythm to it which we always felt was the jeff mills factor. they have little glamour about them, they are true and a direct force.

guy gerbers supplement facts records is proud to present the rise e.p. by - jona -(sfr019). the rise ep carries three original productions by the belgium born artist jona. hes a newcomer on supplement facts, but a veteran to quality techno productions and we are excited to welcome him! the release rise ep continues to push the musical boundaries of the supplement facts sound, this time in the direction of a solid techno production in typical >jona< fashion. deep beat lines and long stretched chunky bass riffs elegantly piece together the cheeky highs throughout this release making all mixes true peak time dance floor options.

final call for >die faser< remixes. get pleasure from the extraordinary interpretation by milton brandley, pendle coven and samuli kemppi. deep explosions for the floor from milton brandley, intense fabric feelings for you music enthusiastics. cio d or presents herself with >organza< in dub fashion, straight and instantly. pendle coven delivers melodramatic and hypnotic deepness, and samuli kemppi closes with straight pumping killer beats.

second part of the much talked-about universal consciousness series. on one side, stephen brown, the artist responsible for some of the best releases on derrick mays transmat label, makes his 2010 comeback with an uncompromising and stunningly beautiful piece of detroit techno. on the flipside, club lonely, a these days in-house production moniker for jam sessions that happened in the labels studio between friends, presents a tribute to n.y club shelter. the track focuses on a bassline driven groove in timmy regisford fashion while on the b2 the vocals are muted for those who would like to use the track as a tool. space techno meets n.y dancers. universal consciousness

sistrum steps into 2010 in proper fashion, as patrice scott brings forth his latest sonic artwork in the form of the distance against time ep. picking up where his acclaimed excursions ep (sis010) left off, the three cuts featured here forge ahead into the depths, rewarding those with a conscious ear for quality electronic sounds. check!

having taken care of business in spectacular fashion with his carnage track on mote-evolver back in september, ortin cam is back with more of his trademark floor-shaking futuristic techno!!

after a break of 3 years, fear of flying resurrect their limited label to give an airing to a track that has been getting some serious attention at londons uber club fabric, having been a staple in the sets of supa resident craig richards for some months now. tiger tiger is all about the tension as the 3 minute intro builds and builds with the an arpeggiated synth, deep bass and a spanish female vocal hook before dropping, no doubt, to dance floor pandemonium as the kick is introduced. its anthemic qualities are brought to the fore later on with a string breakdown and more lashings of the ultra catchy spanish female vocal. ekkohaus provides two excellent mixes on the flip – the main remix shimmers along in fine dance floor fashion. super slick percussion and snippets of the main vocal keep pushing the tracks along, occasionally dropping into the full vocal hook to get hands in the air and smiles on faces.

special triple vinyl pack from karateklub, containing these eps:
- kk015 melani - pergolia
- kk019 oscar - creep speed ep
- kk027 material object - consumer electronics ep

in typical, generous 1605 fashion and by way of early xmas gift, we are very proud to present a small yet epically proportioned package of selected past tracks released on the label, expertly reinterpreted by some of our most esteemed in-house artists!
as one can imagine, the talent on display here is overwhelming and the productions themselves cover an extensive range (yet always retaining our beloved, particular brand of techno) of styles, while simultaneously giving new lease of life to some of our most successful and recognizable tunes in our ever growing catalogue! enjoy responsibly, use wisely and dont say we dont spoil you!

cool fashion - nice logo (black shirt, 100% cotton)

finally a full ep by d marc cantu (1/2 of 2am/fm and under other aliases involved in collabos with traxx). technically its the follow up to his cult hit no control (creme jak 02, today a highly sought after 12inch) and in good h-h-h-house fashion this ep contains a ball busting jtc remix of this anthem. but the centre piece must be the title track one of the most emo-simplo jak trax weve ever heard here at the office. starting out simple enough with a single finger synth line (like the musings of a retarded secretary), it mutates into a big wailing distorted saxophone (or a mating whale, who knows?), this puppy will fill your room and throw everybody into an instant k-hole. hey, if that dont sound appealing check the soundclips for proof, its pure liberation... nay rebirth! more floor destroying crazyness on the flipside, but were all out of steam describing it. jak jak jak

stroboscopic artefacts is proud to welcome on board singapore-based xhin (meerestief). with his production wizardry he has been crafting ominous cuts of cutting-edge techno.>fixing the error< is an enormous peak-time club killer. xhin knits together the sinister sound of the revolt of the machines. high frequency drum machines and ferrous sub-bass synthesizers are working urgently against the clock. close your eyes, dissolve, step into dystopia. you are transported into a post-human cityscape where strobes reflect off smelting metallic sounds and deafening alarms wail. these warning codes, layer upon layer, fashion a vision of a metropolis gorging itself on sprawling noises. the flip side, >link< has no narrative. instead, this deep, brooding slice of dub-techno is composed of pure atmospheric pressure. the undercarrige slithers and slinks, interrupted by crackles of lightening and prehistoric rumbles. the result is a construction created in a cold palate of pyrite grey: bubbling, spherical and terrifying. this is dark. this is urgent. this is xhin.

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman in new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peaktime territory with the sinister sounds of john boy, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. innit takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion. extremely limited edition with handpainted covers